I had a wonderful experience spending time with the photographs submitted for the North Valley Art League’s 2018 Regional Juried Photography Show. It was a complicated process to select a cohesive show of ninety or so images that reflect the excellence of the medium’s ever-changing ability to render the visions of its practitioners, who felt strongly enough about their commitment to our medium to make the brave effort to submit their work!
My initial baseline for judging the images was two-fold. First, a demonstration of confident technical proficiency on the part of the artist – no matter what the approach. I then looked for ideas, a personal or unique vision and sensibility; evidence that the artist was in control.
That said, I was definitely biased toward imagery that was both challenging and original – images that clearly differentiated between the camera’s ability to simply ‘record’, and the artist’s ability to understand photography’s unique ability to transform the three dimensional world into a clear intention on a two-dimensional surface – the photographic print, in all its various contemporary forms.
We are in an interesting time for our medium. Photography is evolving into something entirely new. Like most juried exhibitions, this selection of work is only a representation of my personal preferences on the given days of looking at the submissions. As previously stated, I look for technical competence, a signature style, a developed articulate vision…most of all, if the image captures my attention and retains my interest for more than a couple of minutes. My preference is not a final statement on the merits and artistic qualities of the images submitted.
Thank you to everybody for submitting such outstanding imagery, and congratulations to those who were selected for this exhibition. Finally, thanks to the North Valley Art League for the opportunity to jury such a great collection of work, and to Bonnie Lampley for her assistance in the process. I am quite happy with this show.
First Place
“Empty Nest”
Shelley Edwards, Redding, California
Some images record; others reflect; some dig into a collective psyche, asking the viewer to participate. “Empty Nest” causes a visceral response for me, one that rewards the eye with its subtle lighting and color while stimulating a psychological response. A wonderful marriage of content and form.
Second Place
“I Dreamed a Horse”
Robert Bird, Red Bluff, California
I admire photographs that indicate the practitioner's ability to see beyond what is simply in front of him/her and to expand the technical abilities of the camera, to use it as a tool to “mine” archetypes of human experience. A beautiful and evocative piece!
Third Place
“Broken”
Stephanie Luke, Cottonwood, California
“Broken” does for me what I enjoy in art - it allows me to challenge my own expectations from an image. My first response to “Broken” was a suspicious one. Why did the artist present the image upside down? As soon as I let go of that perception, I allowed myself to enjoy imagining the masked figures floating in space. A stunning, memorable image.
Award of Merit
“Colton's Feet”
Shannon Burgan, Redding, California
My first response to this image was “Well, I've seen similar images before.” After continued observations during the judging process, the technical virtuosity of the image underscored, and perhaps amplified, the tenderness of the image.
“Brothers at a Kashmir Way Station”
Tom Thomas, Shasta, California
Travel photography has been with us since the mid-1800’s. These days, with the simplification of both travel and easy photography, we are constantly bombarded with exotic images from far off places, even as the world continues to 'shrink'. Seeing this image in print was the clincher for me. The photographer has a deep understanding of light quality. The trust in the eyes of the boy on the right brings to mind Lewis Hine and his photographs of children in the early 1900’s. The immediacy of the two children coupled with the color saturation of the print results in an unflinching portrait.
“Self Portrait”
Adam Wyman, Redding, California
Even in this age of selfies and social media, I still consider most self-portraits an act of bravery. This one is no exception. The artist confronts us with this moment in his life, almost dares us to see what he has experienced. The technical virtuosity is there, as the artist is in control of the image, concentrating on what he wants us to focus on - and there isn’t much that fascinates more than the human face.
Honorable Mention
“Morning on the River”
Bruce Beck, Redding, California
“Lakeside”
Lindsay Budner, Mount Shasta, California
“Rodney”
Carol Clark, Placerville, California
“Home Sick”
Stephanie Luke, Cottonwood, California
“Colors of Palouse”
Susan Tangeman, Redding, California
“Dark Passenger”
Adam Wyman, Redding, California
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